The Goddess is not separate from the world – She IS the world, and all things in it: moon, sun, earth, star, stone, seed, flowing river, wind, wave, leaf and branch, bud and blossom, fang and claw, woman and man.

Amory Lovins says the primary design criteria he uses is the question How do we love all the children? Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.

Without a vision human beings are nasty creatures.

Magic has always been an element of Witchcraft, but in the Craft its techniques were practiced within a context of community and connection.

My spirituality has always been linked to my feminism. Feminism is about challenging unequal power structures.

[On 9/11:] ... those towers represented human triumph over nature. Larger than life, built to be unburnable, they were the Titanic of our day. For them to burn and fall so quickly means that the whole superstructure we depend upon to mitigate nature and assure our comfort and safety could fall.

In the Craft, we do not believe in the Goddess - we connect with her; through the moon, the stars, the ocean, the earth, through trees, animals, through other human beings, through ourselves. She is here. She is within us all.