I suppose the short chapters and differing narrative points of view are quite "cinematic" devices, which came very naturally to me.

Because I work quite slowly, I have to keep myself interested over a long research and writing period. So I can't see myself writing about modern middle-class Londoners anytime soon.

Whenever I pick up a book I think, "Tell me something I don't know."

I despise this weakness in myself - this endless one-sided conversation that takes the place of action.

I don't use real people for inspiration.

Clearly the secret of happiness...is a variation on the general principle of banging your head against a wall, and then stopping.

...it just goes to show you can't leave anything behind. You bring it all with you, whether you want to or not.