Hundreds of feet above us, cars whisked by, oblivious to our drama. Up there were the shortcuts, the excuses, the world of infinite possibilities separating man and his potential. We had four miles and the best competition in the nation. We linked hands in the boat and committed ourselves to each other.

[Trading] With the French one had to be especially careful. French oarswomen were known to take men aside, point to whatever they wanted, and then peel off their own shirts. It took great presence of mind to bargain with a half-naked Frenchwoman.

The ergometer simulates the physical demands of rowing, packaging the pains with none of the amenities that make it worthwhile.

As a competitor, winner or loser, one crosses the line into limbo. The adrenaline is gone, the anticipation is gone. The verdict is either comforting or devestating but it neithers returns the exhilaration of the race nor helps directly to win the next. Maybe all that matters is that there is a next.

I climbed on the rowing ergometer, and started to pull - losing myself in the rhythm of sweat and pain.

Once one is beyond a certain level of commitment to the sport, life begins to seem an allegory of rowing rather than rowing an allegory of life.

Karen rowed for what the venerable American shell builder George Pocock called `the symphony of motion.' As dawn breaks over the river, the shell is lifted from its rack out into the morning. On another rack the oars hang ready to be greased and slipped into the locks. Then, awakened to the river and the feel of the oars, the oarsmen blend in fulfillment of the shell. The symphony is not of competition. It is the synchronous motion over water, the harmonic flexing of wood and muscle, where each piece of equipment and every oarsman is both essential to, and the limit of motion itself.