Those of us who stayed were younger, more tractable. Less sure of ourselves socially and intellectually, we gave ourselves to the sport with little idea of what we could give or receive.

Being in shape was not my goal. My body was a tool to test the capabilities of my will.

[Trading] With the French one had to be especially careful. French oarswomen were known to take men aside, point to whatever they wanted, and then peel off their own shirts. It took great presence of mind to bargain with a half-naked Frenchwoman.

For two months after Christmas vacation we limped around campus with muscles too tigh and sore to walk properly, yet we had no good idea of our goal. Without knowing what a real race was like, I couldn't judge whether it was worth all the preparation, but having put in so much time already, how could we back out? Quite a few Freshman did manage to back out. After Christmas several, when freed from faily practice, decided that they liked not feeling tired all the time. Most of them vanished without a word.

I climbed on the rowing ergometer, and started to pull - losing myself in the rhythm of sweat and pain.

Karen rowed for what the venerable American shell builder George Pocock called `the symphony of motion.' As dawn breaks over the river, the shell is lifted from its rack out into the morning. On another rack the oars hang ready to be greased and slipped into the locks. Then, awakened to the river and the feel of the oars, the oarsmen blend in fulfillment of the shell. The symphony is not of competition. It is the synchronous motion over water, the harmonic flexing of wood and muscle, where each piece of equipment and every oarsman is both essential to, and the limit of motion itself.

Once one is beyond a certain level of commitment to the sport, life begins to seem an allegory of rowing rather than rowing an allegory of life.