The Battle of Waterloo is a work of art with tension and drama with its unceasing change from hope to fear and back again, changewhich suddenly dissolves into a moment of extreme catastrophe, a model tragedy because the fate of Europe was determined within this individual fate.

In their overestimation of the role of civilization, the humanists misunderstand the primary forces of the world of primitive human drives with their untamable violence. With their optimistic view of the role of culture, they (the humanists) trivialize the terrifying, hardly solvable problems of mass hatred and of the great passionate psychoses of the human race.

One must be convinced to convince, to have enthusiasm to stimulate the others.

The world has always needed human beings who refuse to believe that history is nothing but a dull, monstrous selfrepetition, a selfperpetuating, meaningless game, only varied in outer garb, who cannot be converted from their conviction that history signifies progress in morality, that our race is ascending on an invisible ladder from an animal nature towards divinity, from brutal violence to the wisely ordering intellect, and that the ultimate stage of complete understanding is already close at hand, indeed has almost been attained.

Health alone does not suffice. To be happy, to become creative, man must always be strengthened by faith in the meaning of his own existence.

Only the misfortune of exile can provide the in-depth understanding and the overview into the realities of the world.

Nothing that has ever been thought and said with a clear mind and pure ethical strength is totally in vain; even if it comes froma weak hand and is imperfectly formed, it inspires the ethical spirit to constantly renewed creation.