Fear is a distorting mirror in which anything can appear as a caricature of itself, stretched to terrible proportions; once inflamed, the imagination pursues the craziest and most unlikely possibilities. What is most absurd suddenly seems the most probable.

Time to leave now, get out of this room, go somewhere, anywhere; sharpen this feeling of happiness and freedom, stretch your limbs, fill your eyes, be awake, wider awake, vividly awake in every sense and every pore.

Only the rare expands our minds, only as we shudder in the face of a new force do our feelings increase. Therefore the extraordinary is always the measure of all greatness. And the creative element always remains the value superior to all others and the mind superior to our minds.

But don't despise error. When touched by genius, when led by chance, the most superior truth can come into being from even the most foolish error. The important inventions which have been brought about in every realm of science from false hypotheses number in the hundreds, indeed in the thousands.

In chess, as a purely intellectual game, where randomness is excluded, - for someone to play against himself is absurd ... It is as paradoxical, as attempting to jump over his own shadow.

We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil, the second when (as Stendhal has described it) the internal inflorescence, already steeped in every kind of fluid, condenses and crystallizes—a magical second, like the moment of generation, and like that moment concealed in the warm interior of the individual life, invisible, untouchable, beyond the reach of feeling, a secret experienced alone. No algebra of the mind can calculate it, no alchemy of premonition divine it, and it can seldom perceive itself.

Whatever a woman's reason may say, her feelings tell her the truth.