He was, like everyone of a strongly erotic disposition, twice as good, twice as much himself when he knew that women liked him, just as many actors find their most ardent vein when they sense that they have cast their spell over the audience, the breathing mass of spectators before them.

Erasmus was the light of his century; others were its strength: he lighted the way; others knew how to walk on it while he himselfremained in the shadow as the source of light always does. But he who points the way into a new era is no less worthy of veneration than he who is the first to enter it; those who work invisibly have also accomplished a feat.

When it looks at great accomplishments, the world, bent on simplifying its images, likes best to look at the dramatic, picturesquemoments experienced by its heroes.... But the no less creative years of preparation remain in the shadow.

But nothing is better than a truth which appears not to have the semblance of truth. There is always something incomprehensible about the great heroic deeds performed by humanity because they rise so far beyond the mediocre measure of mere mortals; but it is always only because of the incredible feats that human beings have accomplished that humanity recovers its faith in itself.

But, in history, practical usefulness never determines the moral value of an achievement. Only the person who increases the knowledge humanity has about itself and enhances its creative consciousness permanently enriches humanity.

Never is a historic deed already completed when it is done but always only when it is handed down to posterity. What we call "history" by no means represents the sum total of all significant deeds.... World historyonly comprises that tiny lighted sector which chanced to be placed in the spotlight by poetic or scholarly depictions.

Every wave, regardless of how high and forceful it crests, must eventually collapse within itself.