But the creative person is subject to a different, higher law than mere national law. Whoever has to create a work, whoever has tobring about a discovery or deed which will further the cause of all of humanity, no longer has his home in his native land but rather in his work.

Today, for a Jew who writes in the German language, it is totally impossible to make a living. In no group do I see as much misery, disappointment, desperation and hopelessness as in Jewish writers who write in German.

Erasmus was the light of his century; others were its strength: he lighted the way; others knew how to walk on it while he himselfremained in the shadow as the source of light always does. But he who points the way into a new era is no less worthy of veneration than he who is the first to enter it; those who work invisibly have also accomplished a feat.

Fate forces its way to the powerful and violent. With subservient obedience it will assume for years dependency on one individual:Caesar, Alexander, Napoleon, because it loves the elemental human being who grows to resemble it, the intangible element. Sometimes, and these are the most astonishing moments in world history, the thread of fate falls into the hands of a complete nobody but only for a twitching minute.

It would be foolhardy to count on the conscience of the world.

Never can the innate power of a work be hidden or locked away. A work of art can be forgotten by time; it can be forbidden and rejected but the elemental will always prevail over the ephemeral.

Only the person who has experienced light and darkness, war and peace, rise and fall, only that person has truly experienced life.