We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil, the second when (as Stendhal has described it) the internal inflorescence, already steeped in every kind of fluid, condenses and crystallizes—a magical second, like the moment of generation, and like that moment concealed in the warm interior of the individual life, invisible, untouchable, beyond the reach of feeling, a secret experienced alone. No algebra of the mind can calculate it, no alchemy of premonition divine it, and it can seldom perceive itself.

I am not fooling myself with dreams of immortality, know how relative all literature is, don't have any faith in mankind, derive enjoyment from too few things. Sometimes these crises give birth to something worth while, sometimes they simply plunge one deeper into depression, but, of course, it is all part of the same thing.

Today, for a Jew who writes in the German language, it is totally impossible to make a living. In no group do I see as much misery, disappointment, desperation and hopelessness as in Jewish writers who write in German.

Health alone does not suffice. To be happy, to become creative, man must always be strengthened by faith in the meaning of his own existence.

Only the rare expands our minds, only as we shudder in the face of a new force do our feelings increase. Therefore the extraordinary is always the measure of all greatness. And the creative element always remains the value superior to all others and the mind superior to our minds.

Now I am discovering the world once more. England has widened my horizon.

But nothing is better than a truth which appears not to have the semblance of truth. There is always something incomprehensible about the great heroic deeds performed by humanity because they rise so far beyond the mediocre measure of mere mortals; but it is always only because of the incredible feats that human beings have accomplished that humanity recovers its faith in itself.