One only makes books in order to keep in touch with one's fellows after one has ceased to breath, and thus to defend oneself against the inexorable fate of all that lives - transitoriness and oblivion.

For the more a man limits himself, the nearer he is on the other hand to what is limitless; it is precisely those who are apparently aloof from the world who build for themselves a remarkable and thoroughly individual world in miniature, using their own special equipment, termit-like.

For this quiet, unprepossessing, passive man who has no garden in front of his subsidised flat, books are like flowers. He loves to line them up on the shelf in multicoloured rows: he watches over each of them with an old-fashioned gardener's delight, holds them like fragile objects in his thin, bloodless hands.

But, in history, practical usefulness never determines the moral value of an achievement. Only the person who increases the knowledge humanity has about itself and enhances its creative consciousness permanently enriches humanity.

He who has been impoverished for a long timewho has long stood before the door of the mighty in darkness and begged for alms,has filled his heart with bitterness so that it resembles a sponge full of gall; he knows about the injustice and folly of all human action and sometimes his lips tremble with rage and a stifled scream.

One never gets to know a person's character better than by watching his behavior during decisive moments.... It is always only danger which forces the most deeply hidden strengths and abilities of a human being to come forth.

Art knows no happier moment than the opportunity to show the symmetry of an extreme, during that moment of spheric harmony when the dissonance dissolves for the blink of an eye, dissolves into a blissful harmony, when the most extreme opposites, coming together from the greatest alienation, fleetingly touch with lips of the word and of love.