I had been painting Kate Moss for a long time, both before the time of her crisis and during it. I felt very strongly for her - she's a hard-working mum and it seemed as if suddenly the world turned against her. Holy water cannot help you now is painted in very warm pretty colours.

I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye... Something touches me and I know I have to paint it, in the way a child knows it wants something.

I wanted my work to be seen for free in a public space, I want to be up there with Pollock and de Kooning, one of the big boys.

Even in the most horrendous situations there is always something to smile about.

I like to watch old films. Meet Me in St Louis, Cul-de-Sac and Buffalo 66 are some of my favourites.

I do have a very, very big problem with someone who saw me coming and exploited me as a mascot.

I'm looking forward to being old, to be able to accept what I am and become self-sufficient. Mid-forties is a good age and it's not too far away.