I realize the importance of retelling those stories is so that, one, we don't forget what our ancestors had to do so we can be where we are, and two, to just educate the newer generation. I'm being educated by all these films ['Race' and 'Selma'] and the things I've had the opportunity to be a part of, and kids even younger than me are being educated, too. It's important to make sure those stories never die.

Jesse Owens had to be a very strong person. There were a lot of protests, but I think that he knew, despite the pressure on both sides, the pressure to go and the pressure not to go, he had to do it for himself. Unknowingly, he changed the world and broke so many barriers by doing so, by being a leader.

That was my goal in portraying Jesse Owens: bringing that level of humanity so people could understand who he was as a person.

You have such a big responsibility. This person is still alive. You would think that they think highly of themselves and their accomplishments and what they've done. You can only hope to bring justice to that.

I want to be a superhero, I want to be Spider-Man or Batman. Will you let me know if you have any connections? Let's make it happen.

Sacrifice. I'd never been in a position where I was number one on the call sheet, and everything was in my lap. I worked 16 hour days, and I was just not the lead of any film, it was a film about Jesse Owens, one of the greatest heroes of the 20th century. It was a whole new type of responsibility. It was a big weight, and I wanted to do him justice, especially in reviving him after 80 years.

What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.