My studio work is a central part of my life and I'd be at loose ends without it. When I'm not in my studio, I don't stop thinking about painting.

My studio work is a central part of my life and I'd be at loose ends without it. When I'm not in my studio, I don't stop thinking about painting.

I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.

My life as a painter influences my teaching and my duties as president of CCA - and I hope some of the experience of working at an exciting art school also spills over into my studio work. I believe most artists are adept at juggling multiple responsibilities - whether it's work, teaching, caring for family members or attending to relationships - with their studio commitment.

I'm interested in how paintings can change or transform - sometimes through close examination or viewed from afar; or how they hold the space of a wall or interact in a room with each other.

I am very invested in the physical activity and the decision-making that is involved with making paintings - nothing else is quite like it.

I have been interested in the dialogue of abstraction and modernist painting - and the rich history of the grid. I also think I have been influenced a bit by some of the particular qualities of the Bay Area. The weather and the atmosphere here is so exotic, like the fog rolling in and the nuanced differences in the quality of light.