To do a poem justice, explain what makes it unique; to get a poem noticed, explain what makes it typical.

"Poetry" refers to the quite challenging and quite resistant sets of words put together to be admired and interpreted by people who are already into that sort of thing, somewhat analogous to free jazz or academic classical music. Which is stuff that I really like, but is late modernist and is going to have a limited audience.

One chance, One life. Make it or screw it up, it's your choice. Don't wait to long or your time will be up.

Poetry can explain individuals to ourselves, and change our attitudes, and help us see the complexity of the world, but the kind of poetry I follow isn't going to change public opinion directly. Other art forms can - if you're a TV writer, you have some interesting challenges, or if you're a country musician, somebody like Brad Paisley. But poetry not so much.

Durable, memorable poetry is usually alert to complexity. A really good poem gives you a reason to read it 20 times, because the language in a good poem is doing a lot of work emotionally and a lot of work intellectually. That means durable poetry can help us think about complexity, can help us resist easy answers and help us step back. And it can help us sometimes calm down, and sometimes it can help us stay upset.

In pursuing certain virtues - colorful local effects, personae and personality, juxtaposition, close calls with nonsense, uncertainty, critiques of ordinary language - the current crop of American poets necessarily give up on others.

If we recover something like a functioning, well-informed democratic polity - if it hasn't been wrecked for good by the people who are getting in now, if millennials and teenagers can come to maturity in a world where we hold free and fair elections and agree on what fact is - Lin-Manuel Miranda is going to have a lot to do with that.