Some poets marry a language; some have affairs with it; some treat it as a parent, some as a child, some as an equal, or as a friend.

Some poets marry a language; some have affairs with it; some treat it as a parent, some as a child, some as an equal, or as a friend.

Good poems do a lot of things at once. Often, by doing so, they encourage us to acknowledge mixed and incompatible feelings. Good poems, like good works of history, resist monocausal explanations for anything. There's not one reason why I am angry or excited or hopeful, when I feel those things. And there's not one reason why President Obama won two elections. And there's not one reason why Donald Trump won the most recent presidential election.

In the arts, in places where you're not going to save lives or save species, I think there's no reason to play ball. I can't imagine a serious poet who would want to write or perform for most recent inauguration. I'd be very surprised if there were an inaugural poem, and I can't really imagine what that would be.

Durable, memorable poetry is usually alert to complexity. A really good poem gives you a reason to read it 20 times, because the language in a good poem is doing a lot of work emotionally and a lot of work intellectually. That means durable poetry can help us think about complexity, can help us resist easy answers and help us step back. And it can help us sometimes calm down, and sometimes it can help us stay upset.

One chance, One life. Make it or screw it up, it's your choice. Don't wait to long or your time will be up.

"Poetry" refers to the quite challenging and quite resistant sets of words put together to be admired and interpreted by people who are already into that sort of thing, somewhat analogous to free jazz or academic classical music. Which is stuff that I really like, but is late modernist and is going to have a limited audience.