The greatest obstacle to pleasure is not pain; it is delusion.

One of my favorite writers is Michel de Montaigne. My wife gave me a beautiful 17th-century edition of Montaigne's essays translated by John Florio. That's probably my most precious possession.

I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.

Writing is a performance, like singing an aria or dancing a jig

I believe that it is a whole lifetime of work on Shakespeare's part that enabled him to do what he did. But the question is how you can explain this whole lifetime in such a way to make it accessible and available to us, to me.

Compared to the unleashed forces of warfare and of faith, Mount Vesuvius was kinder to the legacy of antiquity.

Literate households in the 17th century would have had the Bible, John Bunyan's "The Pilgrim's Progress," and a couple of other books. Shakespeare plays were cheap, so you could buy those, but a folio cost a pound, which was an incredible amount of money then.