Dark impulses certainly exist in me and, I think, in most people.

I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise.

I've always been a bit of a sound freak in the movies I've done.

Dark impulses certainly exist in me and, I think, in most people.

To be able to rely completely on the actors was a very simple process for me.

I've never seen, heard, nor smelled an issue that was so dangerous it couldn't be talked about. Hell yes, I'm for debating anything!

Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you want to feel about what's going on.