Dark impulses certainly exist in me and, I think, in most people.

I've always been a bit of a sound freak in the movies I've done.

We shoot double episodes in 15 days in Los Angeles.

I've never seen, heard, nor smelled an issue that was so dangerous it couldn't be talked about. Hell yes, I'm for debating anything!

I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid.

There's no attempt to manipulate the audience. We made our choice at the start.

I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light, hand-held cameras, split screens, sound that isn't always what it should be, to suit the reality of the premise.