Writing good dialogue is art as well as craft.

Did-a-chick? Dum-a-chum? Dad-a-cham? Ded-a-chek?

I don't have anything against either of the Dead movies, The Texas Chainsaw Massacre, none of those movies. If it scares somebody, I think that it is serving a valid purpose. It is doing what the filmmaker intended. But, it is not something that you hand to kids.

My wife says, and I agree with her, that what would be really great for Maine would be to legalize dope completely and set up dope stores the way that there are state-run liquor stores. You could get your Acapulco gold or your whatever it happened to be - your Augusta gold or your Bangor gold. And people would come from all the other states to buy it, and there could be a state tax on it. Then everybody in Maine could have a Cadillac.

So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.

If you want to be a writer, you must do two things above all others: read a lot and write a lot. There's no way around these two things that I'm aware of, no shortcut.

I think we fought Vietnam for the benefits of civilization, and certainly we fought it to oppose authority. To show our authority, to show we weren't weak. Isn't that what Nixon kept saying? "We have to show the world that we're not weak." So of course what we ended up showing the world was that we were, yep, weak. 'Cause we couldn't beat these kids in black pajamas.