I have always felt a little bit uncomfortable with question [why I'm write these stories]. It's not a question that you would ask a guy that writes detective stories or the guy that writes mystery stories, or westerns, or whatever. But it is asked of the writer of horror stories because it seems that there is something nasty about our love for horror stories, or boogies, ghosts and goblins, demons and devils.

He understood well enough how a man with a choice between pride and responsibility will almost always choose pride--if responsibility robs him of his manhood.

Description begins in the writer’s imagination, but should finish in the reader’s.

A hurt body and mind aren't just like a dictatorship; they are a dictatorship. There is no tyrant as merciless as pain, no despot so cruel as confusion.

His mother called such people ignorant and superstitious, but his father only shook his head slowly and puffed his pipe and said that sometimes old stories had a grain or two of truth in them and it was best not to take chances. It was why, he said, he crossed himself whenever a black cat crossed his path.

At the time we’re stuck in it, like hostages locked in a Turkish bath, high school seems the most serious business in the world to just about all of us. It’s not until the second or third class reunion that we start realizing how absurd the whole thing was.

Andy Dufresne: 'That's the beauty of music. They can't get that from you...haven't you ever felt that way about music?' Red: 'I played a mean harmonica as a younger man. Lost interest in it though. Didn't make much sense in here.' Andy: 'Here's where it makes the most sense. You need it so you don't forget.' Red: 'Forget?' Andy: 'Forget that...there are places in this world that aren't made out of stone. That there's something inside...that they can't get to, that they can't touch. That's yours.' Red: 'What're you talking about?' Andy: 'Hope.'