I think of fear as a survival function, and in the stories that I write, the only thing that I've tried to do is provide people with nightmares which are really safe places to put those fears for a while because you can say afterwards that uh, that, that well it was all just make-believe anyway, so I just took my emotions for a walk.

Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy.

Human beings have got a lot of good, noble impulses inside them, and most people want to be good and do more good than they do evil. Hell, we've had nuclear weapons now for thirty or thirty-five years and nothing's happened yet. That in itself seems to be a miracle. If Reagan pushes the button or somebody pushes the button in Russia or somebody pushes it in Costa Rica, they can put a big tombstone in outer space that says, "We gave it a good try." Because we have.

This is how a man looks when he's deciding that the risk of death is better than the risk of change.

I was built with a love of the night and the unquiet coffin.

We're news junkies in my house.

Stories are like relics, part of an undiscovered preexisting world. The writer's job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible.