He had come to believe that life was a series of ironic ambushes. - Doctor Sleep

It's dialogue that gives your cast their voices, and is crucial in defining their characters.

Hearts are tough, Most times they don't break. Most times they are only bend

It was how wars really ended, Dieffenbaker supposed -- not at truce tables but in cancer wards and office cafeterias and traffic jams. Wars died one tiny piece at a time, each piece something that fell like a memory, each lost like an echo that fades in winding hills. In the end even war ran up the white flag. Or so he hoped. He hoped that in the end even war surrendered.

Most gothics are overplotted novels whose success or failure hinges on the author's ability to make you believe in the characters and partake of the mood.

I spend a lot of time parenting because I'm home. A friend of mine told me that the average father sees each kid an average of twenty-two minutes a week, which I found almost unbelievable. Mine are in my hip pocket all the time. And I like it that way.

By writing a horror novel where this inexplicable disorder takes over in our ordered lives, you make order look better by comparison. But below that, there's a part of us that responds to the Who bashing their instruments to pieces on the stage. There's a very primitive part that says, "Do it some more."