My wife has told me since that I was hungover every mornng until about two in the afternoon, and from five until midnight I was drunk out of my mind. So she says there was this period of about three hours when she could talk to me like a rational human being.

There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.

Tell him he's wrong. Tell him that even if he's right about waiting, he's right for the wrong reasons, and that makes him all the way wrong.

God and the afterlife and all that is certainly a subject that's interested me, and I think it interests me more the older that I get.

Little kids' minds are very, very strong. They bend. There's a lot of tensile strength and they don't break. We start our kids off on things like "Hansel and Gretel," which features child abandonment, kidnapping, attempted murder, forcible detention, cannibalism, and finally murder by cremation. And the kids love it.

There should be no telephone in your writing room, certainly no TV or videogames for you to fool around with. If there’s a window, draw the curtains or pull down the shades unless it looks out at a blank wall.

Must you write complete sentences each time, every time? Perish the thought. If your work consists only of fragments and floating clauses, the Grammar Police aren't going to come and take you away. Even William Strunk, that Mussolini of rhetoric, recognized the delicious pliability of language. "It is an old observation," he writes, "that the best writers sometimes disregard the rules of rhetoric." Yet he goes on to add this thought, which I urge you to consider: "Unless he is certain of doing well, [the writer] will probably do best to follow the rules."