Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.

The redness was going out of the light now, the remains of the day were a fading pink, the color of wild roses.

If you were a real fascistic society and you had a vocal minority that was shouting, "Stop this, stop that, stop the other thing," what you would say is, "Let's give them all the drugs they want." In a lot of states, something very much like that happened. They lowered the drinking age to eighteen and said, "Get juiced."

I can't see the future, but it's grim. The depletion of resources - we're living in this dine-and-dash economy.

Only God gets things right the first time.

I get inspiration, a lot of times, from very commonplace things that just strike a chord and develop themselves in the subconscious.

Was it pretty? Your country. . .your land?" "It was beautiful," the gunslinger said. "There were fields and forests and rivers and mists in the morning. But that's only pretty. My mother used to say that the only real beauty is order and love and light.