I did a couple of writing seminars in Canada with high school kids. These were the bright kids; they all have computers, but they can't spell. Because spell-check won't [help] you if you don't know through from threw. I told them, "If you can read in the 21st century, you own the world." Because you learn to write from reading.

He pointed toward the silhouettes on the side of the [bathrooms] instead--black cutout man, black cutout woman. The man had his legs apart, the woman had hers together. Pretty much the story of the human race in sign language.

And I believe happiness is the exact opposite of sadness, bitterness, and hatred: happiness should remain unexamined as long as possible.

Stories are like relics, part of an undiscovered preexisting world. The writer's job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible.

My friend wants to get moving and so do I,' Eddie said. 'We've got miles to go yet.' I know that. It's on your face, son. Like a scar.' Eddie was fascinated by the idea of duty and ka as something that left a mark, something that might look like decoration to one eye and disfigurement to another. Outside, thunder cracked and lightning flashed.

The good thing about being old, is you don’t have to worry about dying young.

I'd like to learn French well enough to write in that language.