The simple truth of things is that bad dreams are far better than bad wakings.

There is a story in the book Night Shift, called 'The Mangler,' about a laundry machine that takes on a sort of malignant life. I worked in a laundry for about a year and a half after I got out of college. It was the only job I could find to support my wife and our first child. There was a fellow there that had no hands or forearms. He simply had hooks. This is one of the things that they don't tell you about when you become management. You have to wear a tie. It was this fellow's tie that did him in.

When I was younger, I used to vacillate between thinking love was this great and glorious mystery and thinking it was just something a bunch of Hollywood move producers made up to sell more tickets in the Depression, when Dish Night kind of played out." Eddie laughed. Now I think that all of us are born with a hole in our hearts, and we go around looking for the person who can fill it. You...Eddie, you fill me up.

Like anything else that happens on its own, the act of writing is beyond currency. Money is great stuff to have, but when it comes to the act of creation, the best thing is not to think of money too much. It constipates the whole process.

I drink a lot of beer, and that's the drug of choice. You find the drug that works for you. I know, for instance, this guy named Harlan Ellison - and he's not alone - who's very proud of the fact that he doesn't put dope into his body. He tries not to put additives into his body, or anything like that. But he can afford to do that because Harlan's drug of choice is Harlan.

As with all other aspects of fiction, the key to writing good dialogue is honesty.

Hairstyles change, and skirt lengths, and slang, but high school administrations? Never.