She is a cat with a burning tail, an ant under a microscope, a fly about to lose its wings to the curious plucking fingers of a third-grader on a rainy day, a game for bored children with no bodies and the whole universe at their feet.

But writers INVITE ghosts, maybe; along with actors and artists, they are the only totally accepted mediums of our society. They make worlds that never were, populate them with people who never existed, and then invite us to join them in their fantasies. And we do it, don't we? Yes. We PAY to do it.

In the end, the wind takes everything, doesn't it? And why not? Why other? If the sweetness of our lives did not depart, there would be no sweetness at all.

For a woman a man will do many things that he'd turn his back on in an instant when alone; things he'd back away from, nine times out of ten, even when drunk adn with a bunch of his friends egging him on.

One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed.

When you're five and you hurt, you make a big noise in the world. At ten you whimper. But by the time you make fifteen you begin to eat the poisoned apples that grow on your own inner tree of pain.

My feeling of the whole genre, of the terror tale, is this: The best thing that you can do for the readers in this field is to terrify them. It is something that is intellectual, it happens in your mind.