I love scenes that are just emotional give and take. By the same token action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes and hopefully you can get a good balance of all of that stuff.

I've played the clarinet since I was a kid. I love to sing, but I'm not much of a singer. Let's say that when it comes to vocalizing, I have the soul of Billy Bigelow but the voice of Jigger Cragan.

I've been into weight training for many, many years and you add to that a good dose of cardio, don't overindulge, and you can do all right.

I have a penchant for playing God's clowns. Actually, I played Nijinsky once, and he used to call himself God's clown.

I am very happy acting, and just have never gone at, or been bitten by the directing bug to the extent where I'm willing to put acting aside. If offered the opportunity, I think I could do a good job with the right material.

You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.

I like to understand, very specifically, what it is I'm seeing, and where it is and where it's going, and a lot of that is just hitting the mark and following the dotted line. But, that's good too because there's concentration and focus that's involved in that.