You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.

Hamlet, that's the only role there is, finally. The only role. After that, you settle down and only do the fun things on stage.

I was relatively buff (before 'Avatar'), because I was working in a tanktop half the time on stage, anyway, but I just went kind of into hyperdrive after that and really worked to beat that old body into shape, to get that carcass where...I didn't want to be looking at it and see anything hanging where it shouldn't be hanging.

I can't imagine a more profoundly exciting experience than I had working on 'Avatar.' And whether I'm ever part of it again, I'll always be very proud that I was a part of it.

I've always been curious as to why one man jumps out of a fox-hole with a grenade and charges a machine gun nest and his buddy, who sits right there next to him, sits there cowering. My feeling is that the different is tiny between the two.

I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.

Whether I appear in 'Avatar 2' or 'Avatar 3', I always feel I'm a part of the 'Avatar' team.