I like that band Get Hustle. They're cool live. I haven't heard their records, though.

It's sort of irritating now - people always ask me, "You're a dad, and how's fatherhood?" If Bob Dylan or Neil Young had a kid, it didn't seem like it made them a different person. It didn't make you old right away.

I think the focus of the media changes. At the moment the more electronic stuff like trip-hop was the flavor of the month, just a little while ago. It all depends on the angle, from which point of view you see it.

There's no point that an album should sound like a watered down version of another album.

Well, you know, it's a younger person, and it was maybe an effort to be a little more sincere and adult about the lyrics occasionally, which is a good thing. It's nice that it's not too self-conscious like some of our lyrics could be.

What we're doing now, it's usually more based on records that I've bought or a projection of what I can do well now and the inner dynamics of playing with the people I'm playing with, Janet Weiss and Joanna Bolme, what we come up with. What works for us doesn't, like, have that much relation to the past.

I'd like to ghost-write Liz Phair's novel. But I don't really know about that. It seems like a dignified thing to segue into as I approach the other side of 45. My hands are just full right now. There's the potential to try to write some kind of biography of Pavement - sort of a cryptic, nonfiction/fiction blowout. The story's never been told well. But that's a lot of inward-gazing that I'm not sure I want to do. I like to look out.