However you look at it, in these books "power" tends to be an expression of the essential nature of the person or being whose power it is. On those occasions when we've seen Lord Foul act directly, he seems to exert the withering force of pure scorn. IMHO, that's pretty intense.

Part of him wanted to weep... but his purpose was rigid within him. He felt he could not bend to gentleness without breaking.

"And you require no answers", Foamfollower was laughing in his gladness, "You are sufficient to every question".

However you look at it, in these books "power" tends to be an expression of the essential nature of the person or being whose power it is. On those occasions when we've seen Lord Foul act directly, he seems to exert the withering force of pure scorn. IMHO, that's pretty intense.

Gradually, the night stumbled as if stunned and wandering aimlessly into an overcast day -- limped through the wilderland of transition as though there were no knowing where the waste of darkness ended and the ashes of light began. The low clouds seemed full of grief -- tense and uneasy with accumulated woe -- and yet affectless, unable to rain, as if the air clenched itself too hard for tears. And through the dawn, Atiaran and Covenant moved heavily, unevenly, like pieces of a broken lament.

Steven Erikson is an extraordinary writer. I read Gardens of the Moon with great pleasure. And now that I have read it, I would be hard pressed to decide what I enjoyed more: the richly and ominously magical world of Malaz and Genabackis; the large cast of sympathetically-rendered characters; or the way the story accumulates to a climax that hits like machinegun fire. My advice to anyone who might listen to me is, Treat yourself to Gardens of the Moon. And my entirely selfish advice to Steven Erikson is, write faster.

There is no life which does not possess its own importance, no life which may not be touched by greatness at any time -- Yes, be touched by greatness and have a hand in it. (from The Mirror of Her Dreams)