If you've met one person with autism, you've met one person with autism.

I meet young artists and it becomes clear that with some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself.

I think I misunderstood Instagram and just thought it was people photographing their friends, and discovered there were a number of people, a number of artists, who were taking it very seriously and doing very imaginative work with Instagram as the medium.

I do what feels natural, but I can't say I haven't thought about it.

The danger is that you can wind up doing tourist pictures. I want to see it fresh and see the little bits of everyday life that a native might take for granted, but that are special to the place, while at the same time, not taking a picture that would be a tourist cliché.

There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.

I realize that as I get more experience as I get older, my perception changes and that feeds the photograph.