Generally, the best recording is the original cast, because that's the way the piece grew: integrally, with them.

You have to be submitted for the Pulitzer, and unbeknownst to us, a choral director whom I know had submitted us.

I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.

For anyone approaching any one of the cast albums, if they don't like what they hear, it's not the performer's fault.

So many good songs get written fast, because you know exactly what has to work.

I've always preferred actors who sing to singers who act in all the shows I've done.

Sometimes people leave you Halfway through the wood Others may decieve you You decide what's good You decide alone But no one is alone