Every writer I've ever spoken to feels fraudulent in some way or other.

I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.

It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.

In not-for-profit theater, you don't worry so much about how the audience is going to react. You want to make them absorb the piece.

Nice is different than good.

It's not so much do what you like as it is that you like what you do.

Only capitalists get photographers.