That seems like one of the differences in expectations of "serious" and "popular" music that you can actually depend on the liner notes to explain yourself? Yeah. Whereas in popular music you depend on photo shoots. A hardcore band who looked like Duran Duran would have to depend upon those liner notes.
Stephin MerrittI think there is such a valid concept as "serious music," meaning that if you don't take it seriously, you don't get it all.
Stephin MerrittI can imagine lyrics becoming better written by smart machines rather than stupid musicians. Songwriters generally have nothing to say. They may as well be replaced by machines.
Stephin MerrittIf you start out with a song sounding like Britney Spears, and you end up with a song sounding like Pauline Oliveros, you'd better have pretty good liner notes explaining what on earth you mean.
Stephin MerrittWhen you're making a singular pop song, you don't really need any subject matter. You just sort of say, "Uh, I love you." And then you try to figure out some rhyme for that, and there never is one.
Stephin MerrittYeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.
Stephin Merritt