That seems like one of the differences in expectations of "serious" and "popular" music that you can actually depend on the liner notes to explain yourself? Yeah. Whereas in popular music you depend on photo shoots. A hardcore band who looked like Duran Duran would have to depend upon those liner notes.

Never try to do anything artistic when you're feeling something overwhelming. It's like driving a car: If you're experiencing road rage, pull over.

I'm not too sure if I have a very smart approach to revealing my life. Luckily, I doubt if many people really care about my life that much.

Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.

If the songs were in lumps, then you would expect to understand what was going on in the plot. Which is not a realistic goal. And also the instrumentation is different for every show, so it's more varied sonically. And people are free to make up their own plots, of course. There are pretty dense and complicated plots, and they're simple songs.

There's a whole kind of melancholy that you can only attain with reverb. That's an example of a technology introducing a whole new meaning.

I don't think there are any clichés I try to avoid. As soon as I spot a cliché, I go for it. I feel like clichés are the most useful thing in songwriting. They're the tool on which you build all the rest of the song.