Much as I love stories, I think I'll only be satisfied with myself as a writer if I'm able to produce a novel that feels publishable. The books that truly take me away - for weeks at a time - are all novels.

It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.

I don't really think of my narrator in terms of gender. I think of them much more in basic emotional terms. As an author, you either love yer peeps or you don't. There's no such thing as a "masculine voice" or a "feminine voice". Men and women think and speak and act in, like, a zillion different ways. Also, as a gross generalization: women tend to live closer to their feelings than men.

You've got all these parents who are projecting their pathologies of fear onto their kids and those kids are understandably messed up. Tragedies happen and that you have to allow kids to experience their own fear and guilt and sorrow. It's the cover-up that really screws people over. Unfortunately, America specializes in cover-ups.

All readers come to fiction as willing accomplices to your lies. Such is the basic goodwill contract made the moment we pick up a work of fiction.

Most forms of rage, after all, are only sloppy cloaks for grief.

Just imagine what would happen if Obama grew a pair and in his last year in office just said, "Forget it. Football is just too violent and too damaging to the economically vulnerable communities in this country. And it normalizes violence and fosters intolerance, etc." I mean: that would be awesome.