I’m listening to a lot of Katy Perry, Taylor Swift, and Rihanna. A lot of pop female artists. I have to say I’m pretty well-versed in the pop female category.

In the United States, there is a restaurant called The Outback Steakhouse, and I could survive in there for several weeks at least, sustaining myself on bloomin' onions and, I'm sure, their legitimate and very Australian cuisine. In the real Outback? I give myself about 14 minutes.

I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.

I was sort of traumatized by girls in the third grade. Because there was a girl in my third grade class I had a crush on. I bought her a box of Valentine's Day chocolate. And I put it in her cubby with a note that said something like, "I am deeply in love with you, Your Secret Admirer." And I didn't sign my name.

I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.

I'm a fun dad, but I don't know if I'm the fun, crazy dad.

Well, it might have been if I'd had success earlier in life, but having success that much later meant I was far more grounded when it came. The last few years of my life have just been surreal and after a lifetime of disappointment and heartache and rejection, I still don't believe this is all actually happening. I'm extremely grateful for my success - I just never expect it to last and my motto, if I have one, is just put your head down and do the job.