I think there's as much profundity and wisdom in Shakespeare, more so in fact, than those in the Bible.

All drama teachers are very effusive, very emotionally open, very big, and gesticulate a lot, and are very physical. Those people don't work in banks and they don't work for pharmaceutical companies. They teach drama, or they may be theatre directors. That's why I love people who are openly gay in theatre, because they have license to do what they like, and there's a kind of artistic liberal tolerance thing that goes on.

I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.

If things don't come easy to you, you have to pull a rabbit out of a hat.

I don't like new bands. I don't want to be one of those pathetic old men in their forties who knows exactly what 18-year-olds are into.

I think it's always funny when you see kids do Shakespeare. When I was at school, I was in Hamlet. I played Claudius, who's supposed to be a 60-year-old man, and I was like 18. It's inherently ridiculous seeing 18-year-old boys with gray beards. That's always funny.

I've met people who've dismissed me, and then they find out that they like my work, and suddenly their attitude changes toward me. And I think that's very funny and very human. But it's also very unattractive.