I don't necessarily consider myself part of the animation world.

No matter what happens, the world can be pretty ridiculous and people be pretty ridiculous, but how would you react? That's an easy filter to put any story through.

If improv gets reckless, you can feel it. A lot of shows try to do that, I find. When improv is done sloppily. It betrays the story. It can slow down the energy of the story you're telling.

I was never able to analyze my own performance that way I can now. I've realized why certain actors work. I think I'm very in control of what I do in there now. I know how to listen, how to make it real and how not to go to jokes, but to go for a sense of reality.

If I was ever to ask advice, it could be from any actor or showrunner or writer. I wouldn't necessarily ask an animate. I don't want to say that the wrong way, but animation's not really my world.

I don't necessarily consider myself part of the animation world.

I'm pretty strict with anyone on our crew when people start to draw too well or draw some in-betweens in the animation.