By the late 70s conservatism was becoming more corporate on the one hand, more theocratic on the other. In reaction to the 60s, conservatism was more about order than freedom, more about conformity than singularity.
Steve EricksonWith a few exceptions like Kraftwerk, most great 20th century Western music is in some way American-based. And the great paradox of America, the paradox that distills America, is that this greatest of American contributions to humanity, this American contribution that probably has influenced more people around the world for the good, that probably has brought more people around the world unqualified joy, was born of America's greatest evil, slavery. Or one of the two great evils anyway, counting the European extinction of those who were on the continent first.
Steve EricksonObviously cheap sentimentality isn't something any good novelist wants to traffic in, but I think it's a problem if you consider it to be the most egregious of all creative sins. I think it's a problem if you consider it the thing to be avoided at all cost. I think it's a problem of you're not willing to risk the consequences of that kind of emotionalism under any circumstances. Then you wind up in the cul-de-sac of irony.
Steve EricksonWhile a particularly deft sense of irony may be one of the tools of great storytellers, I think it's also true that if irony serves as a retreat from an emotional engagement that you're overly concerned is uncool, that's a failure of nerve.
Steve EricksonIn terms of America, I think any profound consideration is bound to return us to the notion of twins because, though you certainly can contend there are many Americas, our history has been binary from the beginning, with its hairline fracture down the country's center between what American has wanted to be and what America has been. That fracture is slavery, of course. To some extent it's still slavery, in that collectively we refuse to come to grips with the American fact of slavery.
Steve Erickson