Western music is arguably America's greatest contribution to the 20th century, cultural or otherwise.

In LA, you think you're making something up, but it's making you up.

The material dictates the approach. I tell the stories in the way that feels natural to tell them. Certainly the last thing I want is to be "difficult."

I was raised a right-wing Republican and was about eighteen when I had to admit to myself that in regards to the great domestic crucible of the day, civil rights and racial justice, conservatives were on the wrong side historically and morally, and that it took too much intellectual and psychological jujitsu to pretend otherwise. I didn't want to pretend anymore; I wanted to be on the right side.

Out of the house and on my own, I faced the fact I didn't much like who I was. I didn't like my judgmentalism; I didn't like my absolutism. I didn't like my repression of natural empathy, my pinched lack of emotional generosity. How I had been thinking politically had less to do with what was wrong with the world and more to do with what was wrong with me, with my fears and insecurities, failings, weaknesses.

By the plain form of my delirium I will blast the obstruction of every form around me into something barely called shadow. I sail. I swim to you. I know the water.

Half the country seceded from the other half when Abraham Lincoln was elected because half the country couldn't abide his position on slavery. You would think 150 years later this had all become pretty historically incontestable. Yet millions continue to contest it in the face of history. Rather the denial of slavery and all its monstrous repercussions defines to one twin America what the country is and means, and therein is the DNA of those "alternative facts" that people believe when they can't stand to believe the truth.