The photograph is an undeniably powerful medium. Free from the constraints of language, and harnessing the unique qualities of a single moment frozen in time.

For those who were desperate, my camera became an object of hope (...)Throughout my year-long coverage of the monsoon world, my strongest conviction was that I was involved in the fundamentals of life.

Unconsciously, I think I watch for a look, an expression, features or nostalgia that can summarize or more accurately reveal life.

A still photograph is something which you can always go back to. You can put it on your wall and look at it again and again. Because it is that frozen moment. I think it tends to burn into your psyche. It becomes ingrained in your mind. A powerful picture becomes iconic of a place or a time or a situation.

In India in particular, where millions have no home but the streets, virtually every life event is carried out in public: prayer, eating, sleeping, nursing, crude dentistry, even bodily functions. In the secular West, where nothing is sacred, everything seems hidden; yet in Asia, where nothing is hidden, everything is sacred.

Most of my photos are grounded in people, I look for the unguarded moment, the essential soul peeking out, experience etched on a persons face.

I strive for individual pictures that will burn in people's memories.