In India in particular, where millions have no home but the streets, virtually every life event is carried out in public: prayer, eating, sleeping, nursing, crude dentistry, even bodily functions. In the secular West, where nothing is sacred, everything seems hidden; yet in Asia, where nothing is hidden, everything is sacred.

What matters most is that each picture stands on its own with its own place and feeling.

My life is shaped by the urgent need to wander and observe, and my camera is my passport.

The photograph is an undeniably powerful medium. Free from the constraints of language, and harnessing the unique qualities of a single moment frozen in time.

A still photograph is something which you can always go back to. You can put it on your wall and look at it again and again. Because it is that frozen moment. I think it tends to burn into your psyche. It becomes ingrained in your mind. A powerful picture becomes iconic of a place or a time or a situation.

Some of the great pictures happen along the journey and not necessarily at your destination.

What is important to my work is the individual picture. I photograph stories on assignment, and of course they have to be put together coherently. But what matters most is that each picture stands on its own, with its own place and feeling.