The person is being confrontational.

As far as art and filmmaking is concerned, I don't see there's any separation; it's just one continuous thing.

I have difficulty putting words in peoples' mouths. The best dialogue is very, very thin dialogue; you let people improvise and then basically you record what they've improvised and then write it down.

I worked hard, and if you work hard you get the goodies.

When a horse learns to buy martinis, I'll learn to like horses.

I really don't like to act. At the beginning, back in '51, I had to force myself to stick with it. I was real uncomfortable, real uncomfortable.

Everyone deserves not just to survive, but to live.