I am influenced by books which dont have their eye on the endgame, but which try to be entertaining on each and every page.

I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.

I was in the hospital and I was paralyzed and I went through all of these things. I've had all of these crazy experiences and jobs in my life, but I never really write about them because I've already told them as stories to friends. For me, the process of writing is the process of invention. But the hospital story felt told already. There was nothing to discover in the telling of it. The discovery had to be in the form. It wasn't really the unfamiliarity of the form, it was more about a way incorporate invention and how to realize it imaginatively.

Fear of death is understandable, being that we are all going to die, but fear of life and suffering is more of an irrational fear because it's something that can be avoided. The torturous part is that suffering can be avoided if you have good luck. That's somewhat out of our hands, but is it? I don't know. "Is bad luck self-harm by another name?"

Or about how when you're a child, to stop you from following the crowd you're assaulted with the line "If everyone jumped off a bridge, would you?" but when you're an adult and to be different is suddenly a crime, people seem to be saying, "Hey. Everyone else is jumping off a bridge. Why aren't you?

There are a lot of artists that return to the same subject. Whether it's the natural subject, or the focus or the subconscious focus of their entire lives, it often is repeated.

There is something so arbitrary about prizes.