We have this atomic idea of process where we want to believe that the creator of the book or the show had this whole brainy idea at the outset. As though there is something less about it if it comes out of the process of discovery.

I was so happy I wanted to fold all the people into paper airplanes and fly them into the lidless eye of that big yellow moon.

Regrets came up and asked me if I’d like to own them. Declined them for the most part but took a few just so I wouldn’t leave this relationship empty handed.

Or about how when you're a child, to stop you from following the crowd you're assaulted with the line "If everyone jumped off a bridge, would you?" but when you're an adult and to be different is suddenly a crime, people seem to be saying, "Hey. Everyone else is jumping off a bridge. Why aren't you?

When we finished the kiss she said laughing, I can taste your loneliness - it tastes like vinegar. That annoyed me. Everyone knows loneliness tastes like cold potato soup.

I am influenced by books which dont have their eye on the endgame, but which try to be entertaining on each and every page.

I try to outline. I'm a lazy outliner. I will put the points down of each chapter or series of chapters, but it always changes. For me it's a place of evolution. I don't really know who the characters are. I don't really know what the story is. I outline and that really just gets me moving. It's like I'm drawing up fake maps, but they turn out to be correct.