I was a kid, 12 or something, when the Partridge Family was big on TV. I liked the curly cord running from the bass to the amps, which were real fancy. That cord looked so cool. I said, 'Wow! I gotta play something like that!'

A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.

Baby don't wake me, let me take you on an endless journey. We touch and the softest kiss explodes with lust. It's real and you can't deny the heat you feel. And if I die before I wake, baby that's all right.

I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.

The level of achievement that we have at anything, is a reflection, of how well, we were able to focus on it. Because the only thing that's holding you back, is the way you're thinking.

I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.

It is only the most elite of elite musicians whose unconventional approach becomes convention.