The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.

Most of my records are very dense, composition-heavy, and there's bits of different kinds of music like an acoustic ballad, instrumental trio pieces, and vocal tracks.

I didn't have any aspirations of becoming famous or successful; in fact I was scared to death of all that. I remember somebody once said that if a rock musician goes on tour, he goes insane. I was very impressionable and I carried this useless weight of fear around with me about going on tour, all because of this thing somebody said.

When you get down to it, the way that the music affects you individually is the most important thing, and when you let things like the location of a band get in the way or have an effect on your overview, you're cheating yourself out of a really good time.

As far as Deep Purple goes, I mean, they're iconic. Their contribution is unquantifiable, and as far as the politics involved in things like awards, you know, I don't think anything, because I know what they mean to me, and I know what they mean to the people who like them. Awards are very politically based.

The older I get, the more I just like plugging directly into my amp. I'm tired of trying to impress myself with weird sounds. It's about the notes more.

The guitar is the coolest instrument in the world.