I designed a guitar for Ibanez and then they started manufacturing it - it's called the Jem - it's 26 years old and I still play it. As a kid I liked Les Pauls and Strats, but they had limitations for the kind of playing I wanted to do.

Acting, at least for me, is very unreal, and when I'm doing it, I actually feel embarrassed.

A lot of those little things that I really like doing are just moments of cool articulation, just little moments of phrasing that probably go over everybody's head.

The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.

I awake, I meditate, get the kids off to school, go to the gym, go to the Favored Nations office, and usually at around 1 pm I'm home and do music the rest of the day.

Possessing a healthy imagination is a necessary ingredient for creativity.

There is still a very strong subculture of people who want to do great things on an instrument, and who are stimulated by hearing people who can. That's reassuring. But it's gonna take a person - and I don't know who this is - to come along and reinvent the guitar as a virtuosic instrument in a completely different realm than any of us have done, or anybody else in the past. That's the clincher. Maybe that will happen and maybe it won't.