I saw all that [white trash] growing up in Alabama and Georgia. I had a group of country cousins and we'd go visit them when I was a kid. They lived on a red dirt Georgia back road, in a shack, with twelve kids. Farmers. No electricity, they had a well on their back porch, but they had nothing, yet they were the happiest, freest people I'd ever met. I loved to visit them. Great sense of humor, and they kept up with all the latest music, country, rockabilly, that stuff. Great food they grew in the fields and canned. Happy people.

When was about 16 or 17, I was living in Beaumont, Texas and Carlos Montoya came to Lamar College. I went to see him and I didn't know what flamenco was. But when I saw him play, I was blown away that one man on one instrument could make all that sound. I'd learned a lot, but that made a big impact. I had intuition for it. In about three years I learned most of what I know now.

In medieval times, artists had patrons that supported them and this is a similar thing, ... We're basically saying, 'Wouldn't you like to be a part of this'

One of the things that benefited me that anyone can learn is classical technique. That shows the orchestra that exists within the instrument.

I was such a heavy drinker I was going to die at age 37. Not to mention the drugs. I'm glad to be sober, I haven't missed a thing. A lot of people never get the chance to come back.

I didn't have the self-promotion instinct, and I just didn't care about it. I sort of had a "beat" attitude.

I will be a missionary in a remote village at some point.