Brett Favre plays for championships. That's the only reason he puts up with all of this stuff. He's going to start to figure out, if it's true, that the Packers are not going to be competing for championships. The moment that comes into his heart - oh my gosh, the Packers are not going to be able to make it - that's the day he retires. It won't take much once he realizes that's where the Packers are going.

I notice guys playing the piano playing a part up here and a part down there, and I wandered why couldn't I do that on the guitar?

The song [The White Trash Song] was not a put down of [ my country cousins ], but a celebration. I wrote that early on, as a teenager.

When was about 16 or 17, I was living in Beaumont, Texas and Carlos Montoya came to Lamar College. I went to see him and I didn't know what flamenco was. But when I saw him play, I was blown away that one man on one instrument could make all that sound. I'd learned a lot, but that made a big impact. I had intuition for it. In about three years I learned most of what I know now.

I had admired Waylon [ Jennings], but I never expected to meet him and get to know him. When I finally moved to Nashville years later, one night I went to a Harlan Howard Guitar Pull thing, and there was Waylon. He started talking about how much he loved my work and how great I was, and I couldn't even get a word in.

I was born and grew up in the Deep South, and I must say it wasn't easy for me. I always marched to a drummer, I had different views about politics and religion and I had them relatively young.

I was a young folk singer, or wanted to be. I really wanted to be a New England folk singer, but they never would accept me. I was always hard to categorize, and people wouldn't know what to make of it.